But to really tap the power of each module, you’ll need to switch to Advanced view.Īll the modules are located on the left side of the interface and the top-to-bottom orientation denotes the signal flow of the audio.

This view allows you to edit the primary controls of each module simultaneously in one window. Overview shows you the primary controls for 10 of the 11 Nectar modules (omitting the Limiter). To make the interface easy to navigate, Nectar 2 has two viewing modes: Overview and Advanced view. All of the controls are larger and offer a finer degree of control. If you ever used Nectar 1 with its butternut squash-colored interface, the clean lines and crisp bronze-colored layout of Nectar 2 will be a welcome sight. It works in VST, VST3, AU, RTAS/AudioSuite, and AAX architectures for compatibility with any modern DAW or audio editor. The Breath Control Plug-in is designed to reduce or remove pesky inhalations, while the Pitch Editor offers fully programmable pitch correction.

Most of the processors (along with a few new ones) are found in the Nectar 2 plug-in. This allows users to select the plug-in(s) with the features he or she requires. Nectar 2 is now a suite of three plug-ins: Nectar 2, Breath Control, and Pitch Editor. I’ve used Nectar 1 for years and have found it to be an invaluable tool for vocal production. Not only does that concept save you precious insert slots, but it also keeps all of the controls inside of one control panel, rather than a handful of individual windows that obscure your DAW workspace.

That’s why iZotope packed their original Nectar plug-in with eleven effects processors, and crafted them to work specifically with the human voice. By the time you’ve installed a compressor, noise gate, de-esser, and limiter, you have very few slots left for additional plug-ins. Most modern DAWs offer a finite number of effect insert slots.

Nectar torrent